SCENE 01 / PRODUCTION
Production Services
The production team conducted their on-set filming and technical work throughout different locations across Mexico. From camera and lighting to sound and specialized filming, we provide the crews and equipment your production needs.
On-Set Excellence
Complete Production Support
We provide experienced crews, professional equipment, and technical expertise for films, TV, commercials, and digital content throughout Mexico.
Technical Excellence
ARRI, RED, and Sony packages from Mexican rental houses, crewed by technicians who've shot features, commercials, and broadcast across Mexico.
Expert Crews
The production team includes fluent English DPs and gaffers and sound mixers who operate from Mexico City and Guadalajara and Monterrey while maintaining local experts for filming in the mountains and coastal area and countryside areas.
On-Set Efficiency
The first assistant directors and line producers who work on Mexican productions need to keep their call times brief because they must follow union regulations and fix production problems which stop work from progressing.
Service Catalog
Our Production Services
Every department coveredβcamera, lighting, sound, grip, crew, and specialized filming techniques.
Camera & Cinematography
Linked ServicesDP Services
Mexican and global DPs shooting on ARRI, RED, and Sony systems to execute your creative vision.
Multi-Camera Shoots
The production team used two-camera interviews which transitioned to 12-camera live events with switching and genlock and set up coverage.
Steadicam & Gimbal
MΕVI, DJI Ronin, and classic Steadicam operators for fluid tracking shots in tight spaces.
Drone Videography
The aviation authority has signed off pilots who hold aerial filming permission to operate above Mexican cities and coastlines and covered areas.
Underwater Filming
Certified dive crews at Caribbean, Pacific, cenote, and pool locations with RED and ARRI housings.
Time-lapse & Hyperlapse
The camera system uses motion control to record extended periods of time for three different types of footage which have sunrise-to-sunset sequences and construction progress and city activity.
Lighting & Grip
Linked ServicesGaffer & Lighting Team
The company employs Mexican gaffers who specialize in day-for-night production and period piece and modern interior work at teams ranging from 2 to 20 members.
Grip Services
Dolly, jib, and track systems with key grips experienced in Mexican studio stages and location work.
LED Lighting Systems
ARRI SkyPanels, Astera tubes, and Aputure fixtures with crew for fast setups and RGB color control.
Portable Power Solutions
The production equipment includes silent generators which operate in remote locations and lithium battery systems which allow documentary filming during run-and-gun operations.
Sound & Audio
Linked ServicesLocation Sound Services
Sound mixers use multi-track recorders to perform their work which includes timecode synchronization and backup recording for both scripted and documentary content production.
Boom Operators
The boom operators who have experience will predict blocking situations while they handle cables to achieve clear dialogue during difficult acoustic settings.
Wireless Audio Systems
The production team uses Sennheiser and Lectrosonics and Wisycom systems which they coordinate by frequency for their multi-talent shoots that take place in areas with strong RF interference.
Sound Recordist Team
The sound department operates at full capacity with its mixer and boom and utility equipment which adjusts to meet the requirements of dramatic dialogue and high-energy reality content.
Post-Production Audio
The company provides ADR services from Mexico City together with Foley work and dialogue editing and 5.1/Dolby Atmos mixing for both broadcast and theatrical distribution.
Production Equipment
Linked ServicesCamera Equipment
ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages from Mexican rental houses with 24-hour prep service.
Communication Systems
The production team maintains departmental coordination throughout long production periods through their implementation of Clear-Com and Motorola systems and their use of encrypted digital communication.
Lighting Equipment
HMI, tungsten, LED, and practical packages from Mexico City, Guadalajara, and Monterrey rental houses with truck delivery.
Power Distribution
The installation of studio stages and locations requires experienced Mexican electricians to perform distro box installation and cable run and tie-in work.
Data Management
The DIT carts provide live color preview and LUT management and they have built-in backup systems which protect your recorded footage from start to finish of production.
Monitor & Video Village
The facility provides wireless HD transmission stations which allow directors and clients to watch content through playback systems that also include reference monitors for viewing.
Production Team
Linked ServicesLine Producers
The production team in Mexico handles three main responsibilities which include managing USD-based budgets and enforcing local labor laws and performing daily production tasks.
Assistant Directors
Experienced 1st ADs managing floor operations and 2nd ADs handling background, call sheets, and international co-production logistics.
Production Coordinators
The office-based coordinators handle all tasks including travel arrangements and accommodation bookings and vendor invoice management and production paperwork processing.
Production Assistants
Experienced PAs who know Mexico City streets, prep locations, wrangle talent, and manage craft services.
Location Managers
On-set managers liaising with property owners, neighbors, and authorities to resolve issues as they arise.
Casting Directors
The casting directors based in Mexico City maintained connections to Mexican talent agencies and regional actors and specialized extras pools.
Script Supervisors
Continuity tracking wardrobe, props, and screen direction with detailed notes for the edit bay.
Makeup Artists
The HMU team provides beauty services and aging and wound and period look makeup applications which take place in trailers or on-set quick-change stations.
Specialized Filming
Linked ServicesAerial Drone Services
The aviation authority has authorized pilots who operate Inspire and Matrice drones and heavy-lift systems to fly their aircraft above Mexican residential areas and urban districts.
High-Speed Filming
Phantom Flex and RED at high frame rates for product reveals, sports, and automotive shots requiring slow-motion detail.
Multi-Camera Setups
The system uses ISO recording and switching to provide coordinated coverage for concerts and talk shows and multi-angle documentary scenes.
Underwater Filming
Caribbean dive teams, cenote rigs, pool rigs, and underwater housings for swimming sequences and product shoots in water.
Virtual Reality Filming
The system generates VR experiences and virtual tours and immersive branded content through its 360-degree camera arrays which also record spatial audio.
Why Fixers in Mexico
Why Choose Us for Production
Local expertise, vetted professionals, and seamless coordination for productions of any scale.
01.
Vetted Professionals
Every crew member in our network is vetted for experience and reliabilityβnot just credentials.
02.
Rapid Deployment
Crews and equipment ready within 24-48 hours across Mexico and neighboring countries.
03.
Local Expertise
Mexican crews who know the locations, regulations, and logistics of filming throughout Mexico.
04.
Turnkey Production
From single-operator shoots to full feature crews, we scale to match your production needs.
On Location
On-Set Production Crews Across Mexico
Here is how this works in practice. Filming in Mexico spans an extraordinary range of environments β the urban density of CDMX districts like Polanco and Roma, the colonial build style of Puebla and San Miguel de Allende, the coastlines of the Riviera Maya and Baja California, and the desert landscapes of the Sonoran. Our production team operates across all of these settings, deploying skilled crews and broadcast-grade gear to match the specific demands of each location. We manage full on-set operations from first unit to wrap, setting up logistics so that tech execution never falls behind your creative ambitions.
Crews sized to the project, not a template β lean enough to move through Roma's side streets, technical enough for a feature unit in Baja.
Here is the short of it. Our Camera and Cinematography teams have skilled DPs who know how to work Mexico's natural light β the hard midday sun of the Sonoran Desert, the golden hour along the Pacific, the diffuse interior light of colonial buildings. Steadicam and Gimbal operators handle dynamic movement sequences, while our Drone Videography crews carry the needed permits and insurance to operate across Mexican airspace legally. For large-scale shoots, Multi-Camera setups allow simultaneous coverage of live events, concerts, or tricky action scenes. Gaffer and Lighting Teams round out each kit, making sure the tech grade matches your DP's creative vision.
FAQs
Production FAQs
Common questions about our production services, crew availability, and equipment support.
What crew sizes can you provide for productions in Mexico?
Here is how this works in practice. The production team handles projects which range from two-person documentary production to 150-person feature unit operations. The typical range for commercial work shoots has 15 to 30 staff who consist of a DP and camera team and gaffer with two electrics and key grip with a swing and sound mixer and boom op and extra staff from art department and HMU. We've crewed up Netflix series with full Mexican units and handled single-day corporate interviews with just a shooter and audio. The network scales to fit.
How quickly can you mobilize a crew in Mexico?
Mexico City-based crew can often mobilize within 24β48 hours for urgent jobsβwe've pulled together same-day news crews when stories break. Regional shoots need more runway. Figure 5β7 days minimum for locations outside major cities. The real constraint is mostly gear availability from rental houses, not crew. If you're planning ahead, 2β3 weeks gives us time to assemble the right team rather than just the ready one.
Do your crews speak English?
The department heads who have DPs and gaffers and sound mixers and 1st ADs possess English fluency and have worked on shoots outside their home country. That's a baseline need for our network. Grips, electrics, and PAs differ, but we always make sure someone on each team can translate. For fully Mexican-speaking shoots, we have native crews across each department.
Can you provide equipment along with crew?
We work with TSF, Panavision Mexico City, RVZ, and other Mexican rental houses daily. The majority of gear packages have crew members who stay with their assigned positions because the gaffer operates from their preferred lighting location. The DP selects the camera gear. Our firm takes care of customs procedures and carnet records for global shoots which choose to bring their own gear. The delivery of gear brings tested and prepared gear to the site. We start our work.'t send gear to set without a checkout.
How do Mexican crew rates compare to other countries?
Mexican rates are highly competitive compared to North America. Social charges (prestaciones) are had in our all-in quotes so there are no surprises. For longer shoots, EFICINE tax incentives can offset qualifying Mexican spend.
On Set
Ready to Start Your Production in Mexico?
Tell us about your project and we'll assemble the right crew, gear, and support for a successful shoot.