
SCENE 01 / COMMUNICATION SYSTEMS
Communication Systems
Professional on-set communication equipment keeping your production coordinated and running smoothly.
Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.
Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.
Capabilities
Complete Communication Solutions
From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.
01
Two-Way Radios
- Motorola digital systems
- Multi-channel radios
- Long-range units
- Waterproof handsets
- Repeater systems
Reliable Coverage
02
Headset Systems
- Production headsets
- Surveillance earpieces
- Noise-cancelling units
- Boom operator comms
- Director headsets
Hands-Free Comms
03
Intercom Systems
- Clear-Com systems
- Riedel artist series
- Wireless beltpacks
- Base stations
- Camera talkback
Pro Intercom
04
Specialty Comms
- IFB systems
- Video village feeds
- Multi-zone coordination
- Stunt coordination systems
- Crowd control comms
Specialized Solutions
On Location
On-set comms infrastructure across CDMX studios, regional locations, and cross-border productions
Here is how this works in practice. Mexican production communications run on a backbone of Motorola fleet radios programmed through Motorola Options Mexico's Carlos Slim-era partner network. This pairs with Lectrosonics IFB, Wisycom MTP and Sennheiser Digital 6000 wireless for talent feeds. We set up frequency clearances with the Instituto Federal de Telecomunicaciones (IFT) before principal photography starts, securing short-term range licenses that cover wireless mics, comms, and any wireless video hops on a single permit document.
Here is what that looks like on the ground. On the ground, For shoots basing at Estudios Churubusco, Lemon Studios, Argos Comunicación, or Televisa San Ángel, we layer Clear-Com FreeSpeak II beltpacks onto existing studio intercom infrastructure so director, AD, and script departments stay set up across many stages. Telcel, Movistar Mexico, and AT&T The country give the cellular and 5G backbone for production-office connectivity. With Telcel's 5G rollout covering CDMX, Guadalajara, Monterrey, and Cancún since 2022 — enough bandwidth for Frame.io remote producer feeds and same-day dailies upload from base camp.
Here is the short of it. Heritage location work introduces comms challenges that off-the-shelf radio packages do not solve. The thick stone walls of CDMX's centro histórico cathedrals, Yucatán Maya pyramid complexes under INAH oversight, and Durango Western-era haciendas all kill VHF/UHF range, so we deploy Motorola DLR/DTR digital repeater systems with strategic antenna placement set up against ATA-carnet-imported gear lists. For shoots echoing the multi-unit planning of Spectre's Day of the Dead opening across the Zócalo, Sicario's Sonora border crossings, or Narcos: Mexico's parallel CDMX-Guadalajara units, we build channelized communication plans that segregate first-unit, second-unit, stunts, and crowd control onto separate frequencies while keeping a shared command channel for ADs. Cross-border shoots from LA rental houses bring their own preferred Lectrosonics R400a packs and Vortex bidirectional comms via Tijuana-San Diego same-day delivery. We handle the IFT forms so US-allocated frequencies clear Mexican range without on-set surprises during the take.
FAQ
Production Communication Expertise
What communication systems do you provide?
Here is the breakdown. We supply complete communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.
How many radios do I need for my production?
Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.
Can you provide coverage in remote locations?
Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.
Do you handle frequency licensing in Mexico?
We set up all frequency licensing needs with Mexican authorities (ANFR). This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.
What about intercom systems for video village?
We give complete video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.
How do you handle equipment for multiple units?
For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives complete gear packages.
Related Services
Productions in Mexico that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.
On Set
Need Production Comms?
Tell us about your production and we'll design a communication solution that keeps everyone connected.