SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Mexican production.
Here is how this works in practice. Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control, steady color rendering, and the optical traits that define a project's visual texture and depth.
Here is the short of it. We set up lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and making sure backup options are ready if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual way, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
ARRI Signature, Cooke S7/i, Zeiss Supreme and anamorphic glass from local and LA cross-border pools
Here is how this works in practice. Mexican top lens inventory centres on ARRI Signature Prime full sets (12mm through 280mm) and Cooke S7/i + S8/i full-frame primes at Cine Equipos, Lemon Studios, and 3 Equipos. With Zeiss Supreme Prime and Master Anamorphic packages flowing in from Sigma Cine LA, Keslow Camera, and Panavision Mexico via Tijuana same-day cross-border delivery. The Cooke Panchro/i Classic vintage-character set covers shoots chasing the Brokeback Mountain, Frida, and early Lubezki visual language. Atlas Orion anamorphic 2x squeeze stock handles the budget-conscious anamorphic narrative pool.
Here is what that looks like on the ground. On the ground, For Lubezki-school Roma-era 1970s CDMX re-creation work or large-format Iñárritu Bardo wide-aperture stage choreography, ARRI Master Anamorphic + ALEXA 65 packages cross-rent from ARRI Rental LA under ATA carnet through SAT/Aduanas. Tribe7 Blackwing7 anamorphic-flavoured spherical primes and Leitz M 0.8 + Thalia large-format coverage round out the boutique-character pool, while Angenieux Optimo 24-290 and Optimo Ultra 12x cinema zooms cover documentary-style and live-event narrative coverage traits of Narcos: Mexico and Sicario second-unit work.
Here is the short of it. Lens-kit curation in Mexico relies as much on Mexican DP lineage as on rental-house inventory. Emmanuel Lubezki (Roma, Birdman, Children of Men), Rodrigo Prieto (Brokeback Mountain, Killers of the Flower Moon, Barbie, Silence), Guillermo Navarro (Pan's Labyrinth, Hellboy I/II), Gabriel Beristáin (Caravaggio, Blade II), and Daniel Aranyó (Babel, Biutiful) all worked through Cine Equipos / Lemon Studios stock during formative shoots.
Here is how the picture comes together. On the ground, the local pool reflects their preferences. Cooke S7/i and Panchro/i Classic stock runs deep, ARRI Signature Prime sets are kept matched-serial across A and B cam, and Master Anamorphic 2x is reserved well in advance during peak February-May commercial season. Cross-border shoots from LA following the Spectre (Hoyte van Hoytema), Sicario (Roger Deakins), and Apocalypto pattern combine local Mexican stock with LA cross-rented specialty glass. Climate-related lens housing concerns matter: tropical 70-95% RH Yucatán shoots demand fungal pre-treatment on Cooke S7/i front-element seals, while Sonora 45°C+ dawn-to-dusk shoots need ARRI LDS-2 lens motors with heat-rated lubricant.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets mostly have focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Here is the breakdown. Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage needed for large format sensors.
What anamorphic options are available?
We give anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits many shoots desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are ready in both full-frame and Super 35 coverage for many applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals have protective cases, front and rear caps, and lens data cables where applicable. We can also give follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Mexico that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.