SCENE 01 / COLOR CORRECTION
Color Correction
Professional color correction services ensuring technical accuracy and visual consistency across your entire production.
Here is how this works in practice. Color fix is the tech process of normalizing and balancing footage to achieve steady exposure, white balance, and tonal range across all shots. This foundational step corrects inconsistencies introduced by changing lighting conditions, different cameras, or differing shooting environments across production.
Here is the short of it. We connect you with colorists and grading suites equipped to deliver pro color fix for your project. Our team sets up media preparation, session scheduling, and quality control to make sure your footage achieves steady, in tech accurate color that forms a solid foundation for creative grading.
Capabilities
Professional Color Correction Services
Technical precision and visual consistency that establishes the foundation for exceptional post-production results.
01
Technical Accuracy
Precise color balance and exposure optimization ensuring professional broadcast standards.
Foundation
02
Shot Matching
Seamless continuity across all scenes, angles, and multi-camera setups.
Consistency
03
Broadcast Standards
Full compliance with technical delivery specifications for all platforms.
Compliance
04
Multi-Platform
Optimized color for cinema, broadcast, streaming, and mobile delivery.
Versatility
Technical Services
Workflow & Standards
Our Color Correction Process
We follow a systematic approach to color correction that ensures technical excellence and visual consistency across your entire project.
Technical Assessment
We analyze your footage, identify color issues, and set up correction priorities for each scene and shot.
Primary Correction
We balance exposure, neutralize color casts, and set up baseline consistency across your entire project.
Shot Matching
We make sure seamless scene matching between shots, scenes, and camera sources through precise secondary corrections.
QC & Delivery
We check broadcast compliance, run tech QC checks, and deliver corrected masters in your needed formats.
Why Us
Why Choose Our Color Correction
01.
Technical Precision
Accurate color science and careful attention to detail in each frame.
02.
Calibrated Systems
Pro-grade tracking and color-accurate grading environments.
03.
Efficient Workflow
Streamlined processes for quick turnaround without compromising quality.
04.
Global Standards
Meeting global broadcast and cinema specs worldwide.
On Location
Color correction in DaVinci Resolve at Lemon Studios, Cinema Maquina, and Labodigital — ACES pipeline native
Here is how this works in practice. We set up tech color fix through Mexico City color houses running DaVinci Resolve Studio as the industry standard. Lemon Studios (Cuarón Roma finishing in partnership with Lubezki and Aaron Glascock), Cinema Maquina (CDMX boutique finishing), Labodigital (color + VFX), and Estudios Churubusco for body-level projects. Top suites add Baselight (FilmLight) for projects requesting that specific pipeline. Correction sessions work in ACES (Academy Color Encoding System) as the standard input/output color space. This is the same pipeline Cuarón and Lubezki used on Roma and Iñárritu on Bardo, making sure shot-to-shot exposure and white-balance neutrality before any creative grade pass starts. Reference tracking runs on calibrated Sony BVM-HX310 or Flanders Scientific XM310K mastering displays for Rec.709 broadcast review. With HDR PQ / HLG passes on Dolby reference setups when projects target HDR delivery to Netflix LatAm, Apple TV+ LatAm, or Disney+ LatAm.
Here is the layout. For broadcast-tier correction targeting Mexico's main networks. The list covers Televisa San Ángel (largest Spanish-language TV networks), TV Azteca Ajusco, Imagen TV, Multimedios, Canal Once, and Canal 22. We deliver Rec.709 masters conforming to Mexican IFT (Instituto Federal de Telecomunicaciones) broadcast specs and AS-11 file packaging. ATSC 3.0 / ISDB-T digital broadcast standards apply for terrestrial distribution. Theatrical correction for Festival Internacional de Cine de Morelia (FICM), FICG Guadalajara, Los Cabos Global Film Festival, and Riviera Maya Film Festival uses DCI-P3 cinema gamut and delivers as DCP-compatible files for Cinépolis (Mexican-owned, world's #4 cinema chain) and Cinemex domestic exhibition. Cross-border correction joint work with Firm 3 LA (Lubezki and Prieto regular) and Light Iron LA runs through the same USMCA carnet pipeline that has shipped Mexican shoots to global release for two decades.
FAQ
Frequently Asked Questions
What's the difference between color correction and color grading?
Here is the breakdown. Color fix is the tech process of balancing exposure, neutralizing color casts, and making sure consistency across shots. Grading is the creative process that comes after, where we develop specific looks and styles. We mostly complete correction first to set up a clean foundation before applying creative grades.
Can you match footage from different cameras?
Here is what that looks like on the ground. Yes, we specialize in matching footage from many camera systems with different color science. Whether you're combining ARRI, RED, Sony, or Canon footage, we balance each source to create seamless scene matching across your entire project.
How do you ensure broadcast compliance?
Here is how the picture comes together. We use pro scopes (waveform, vectorscope, histogram) and automated QC tools to check all footage meets broadcast-safe levels for your target platform. This has luminance, chrominance, and gamut compliance for specs like EBU R128, SMPTE, and platform-specific needs.
What formats and resolutions do you support?
Here is what we have to work with. We handle all pro formats including ARRIRAW, RED R3D, Sony RAW, ProRes, DNxHD, and more in resolutions from HD through 8K. Our color-managed pipeline makes sure accurate reproduction no matter source format or delivery specs.
Related Services
Productions in Mexico that need this often pair it with Color Grading Services, Look Development Services, and Online Conform & QC Services for full coverage. Most projects also draw on Audio Post-Production Services and Title Design & Credits Services.
On Set
Ready for Professional Color Correction?
Let's ensure your footage looks its absolute best with expert color correction.